memory devices:
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Remembering is continuous self-appropriation. There's a personal stock of memories, images mainly, that one constantly re-adjusts. The personal clichés are re-written as one lives, they are made up. Even the family album is re-read at will. The shimmering relationships have a collage quality.
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THE WATCHMAKER AT HOME | mixed media on paper 23x33' (59x84cm), 2012
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THE TV SET | mixed media on paper 23x33' (59x84cm), 2012
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CLOCK LAID TO REST | CIRCULAR OFFSETS | acrylic on paper 30x49' (75x125cm), 2013
CLOCK LAID TO REST | digital photomontage, 2013
CLOCK LAID TO REST | linocut print, 8x10' (20x25cm), 2013
THE PRESENT MOMENT | digital photo-montage, 2012
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TURNED AWAY | mixed media on paper, 3 panels, 23x16' (59x41cm) each, 2012
SHADOW'S SHADOW'S SHADOW | acrylic on paper 23x33' (59x84cm), 2013
CRUCI-FRAMED | mixed media on paper, 23x33' (59x84cm), 2013
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CARSICK KID | acrylic on paper 23x33' (59x84cm), 2013
ALL THE TRIPS TO SEE GRANDPA | collage and mixed media on paper 23x33' (59x84cm), 2013
SLOW DEPARTURE | acrylic, ink, pastel on paper, 24'x18'( 61x46cm), 2014
THE BEDROOM | acrylic, ink, pastel on paper, 33x23' (84x59cm), 2014
THE DISAPPEARANCE | acrylic, ink, pastel on paper, 24'x18' (61x46cm), 2014
SKY INVASION | acrylic, ink, pastel on paper, 24'x18' (61x46cm), 2014
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